J.P. throwing his first TD pass.
Willis feeling the love
Fletcher with a fumble recovery
Willis high-stepping over an overmatched Texan defense
That ain't no bitch-ass Doug Flutie, baby!
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MYTH #1: RAP IS NOT MUSIC
This contention has always amused me. People who say this have clearly not heard any rap since 1986. Gone, dear friends, are the days of one hollow drumbeat and a simplistic rhyme scheme. Condolences. Nearly every modern hip hop song uses some kind of musical accompaniment, be it a sample of another song or some godawful synth. Again, feel free to hate it, just know what you're hating.
Is it not music because there is no singing? Look at any kind of instrumental music, like jazz or techno. There is often no singing there, and hardly anyone could categorize it as non-musical.
Is it because there is sometimes no melody? Listen to the song "Shotgun" from Jr. Walker & the All-Stars sometime. Find the melody for me. What you are hearing (and what is so great about the song) is the groove, with a jazzy saxophone riff. Music is not always about melody, sometimes it's about a pulse. (Please note that I have no knowledge of musical terminology or nomenclature, so you will often find me not quite able to say what I'm saying.)
Find me one song in rap music that is not "musical" in one way or another. You can't do it.
MYTH #2: SAMPLING IS STEALING
You are probably thinking of a lesser rap artist such as Sean "Puffy" Combs (I'll just stick with his first name from a decade ago rather than play along with his pathetic ever-changing persona) or another such artist who would simply take a small snippet of a popular and obvious song (usually from the disco-era, but not always) and loop the instrumental over and over so the song essentially became a remake, not a rap song.
Look no further than "Puffy" himself, and his versions of "Every Breath You Take", "Kashmir", "I'm Comin' Out", "Been Around the World", etc, all in his off-key sing-song style. You can hate this if you want. I hate this. This is stealing.
But most rap music does not perpetuate "Puffy"'s propensity toward plagiarism. Most rap music does sample, yes, but with a few key differences. Firstly, "good" rap (for lack of a better term) uses obscure songs, ones that you won't hear on some K-Tel retrospective. Most great rap songs use samples from jazz or soul, mostly before 1975. And often, the samples are no more than 3-5 second, non-chorus parts of a song that are repeated. (These are called "break-beats," but I won't get into it here.)
The best artists not only find the most obscure musical samples (a good crate-digger won't even have to cite the source of the clip), but often fashion the sound in a way by which even someone who has heard the song will not recognize where it came from. It is the manipulation of one or several sounds to create a brand new composition, usually having no sonic similarity to the original.
This is a far cry from the wholesale hijacking of pop music that "Puffy" and the like have been trafficking in since the mid-'90s. Hate "Puffy" if you like, don't hate sampling.
MYTH #3: RAP IS ANTISOCIAL AND AMORAL
This myth comes from the fact that the popular rap music right now is the "club" rap music, like Nelly, 50 Cent, Li'l John and all that other Crunk shit. When young people are in a club, they tend to have sex on their minds, and therefore they listen to the music that makes them feel sexier. What better way to make people feel sexy than to constantly talk about sex? This is why "Hot in Herre" was such a hit: it threw out all subtext and actually had the lyric, "It's getting hot in here / so take off all your clothes." And who says romance is dead?
But it's not just sex. Indeed, violence and materialism also run rampant. Much talk of guns, jewels, cars, money, sex, etc. But you know what? You will probably find that in any Motley Crue video too.
When people satirize rap, or try to illustrate the stereotypes associated with it, they still say things like "bust a cap in your ass" or some such thing. Again, hate to tell you, but the phrase "bust a cap" probably hasn't been used in a legit rap song in 10 years. And no one calls each other "G" either.
The truth is, there is much rap music out there that does not fall into the traps of negativity. Now most rap is not kittens and clowns, but there is much of the genre that does not fall into hedonism. There is, believe it or not, creativity to much of it. And there is a breadth of subject matter the further you go underground.
MYTH #4: RAP REQUIRES NO TALENT
This is the most insane argument of all.
I want you go to and write a rap song. Make it three verses, and make it good. It's much much harder than you think. It takes talent.
Is it because they don't sing? How is being able to sing a talent, really? Isn't it more than a gift. Some people are not born with a good singing voice, but it doesn't mean they shouldn't try to make good music. Some good singers have bad voices, but still make great songs.
Is it because they don't play instruments? Mariah, Whitney, Celine and all the rest don't play instruments to my knowledge, and most don't even write their own songs. But they are never called "untalented."
There are many rap artists out there who have made it without talent, but there are musicians in every genre who have done the same. Don't hate the game, hate the players.
1) Sgt. Pepper's Lonely Hearts Club Band (The Beatles)
3) Revolver (The Beatles)
5) Rubber Soul (The Beatles)
6) What's Going On (Marvin Gaye) +
10) The White Album (The Beatles)
12) Kind of Blue (Miles Davis)
13) Velvet Underground and Nico (The Velvet Underground) %
14) Abbey Road (The Beatles)
15) Are You Experienced? (The Jimi Hendrix Experience) #%
19) Astral Weeks (Van Morrison) #
23) Innervisions (Stevie Wonder)
25) Rumours (Fleetwood Mac) %
29) Led Zeppelin (Led Zeppelin)
34) Music From Big Pink (The Band) #
36) Tapestry (Carole King)
41) Never Mind the Bollocks, Here's the Sex Pistols (Sex Pistols)
43) The Dark Side of the Moon (Pink Floyd)
45) The Band (The Band) #
47) A Love Supreme (John Coltrane) %
48) It Takes a Nation of Millions to Hold Us Back (Public Enemy)
58) Trout Mask Replica (Captain Beefheart and His Magic Band)
63) Sticky Fingers (The Rolling Stones)
65) Moondance (Van Morrison) #
66) Led Zeppelin IV (Led Zeppelin)
69) Superfly (Curtis Mayfield) %
70) Physical Graffiti (Led Zeppelin)
75) Led Zeppelin II (Led Zeppelin)
86) Let It Be (The Beatles)
91) Goodbye Yellow Brick Road (Elton John)
94) Bitches Brew (Miles Davis) %
96) Tommy (The Who) %
102) Giant Steps (John Coltrane)
110) The Bends (Radiohead)
118) Stand! (Sly and the Family Stone) #%
128) Marquee Moon (Television)
133) Ready to Die (The Notorious B.I.G.) %
134) Slanted and Enchanted (Pavement)
135) Greatest Hits (Elton John)
137) The Chronic (Dr. Dre)
144) Straight Outta Compton (N.W.A)
145) Aja (Steely Dan)
148) Deja Vu (Crosby Stills Nash and Young)
149) Houses of the Holy (Led Zeppelin)
154) The Low End Theory (A Tribe Called Quest)
162) OK Computer (Radiohead)
173) Something/Anything? (Todd Rundgren)
176) Rocks (Aerosmith) %
177) One Nation Under a Groove (Parliament/Funkadelic)
187) So (Peter Gabriel) +
193) Dookie (Green Day) +
206) Tea for the Tillerman (Cat Stevens)
207) Ten (Pearl Jam) +
210) Crooked Rain, Crooked Rain (Pavement)
217) Licensed to Ill (Beastie Boys) %
219) Loveless (My Bloody Valentine)
227) Paid in Full (Eric B. and Rakim) %
228) Toys in the Attic (Aerosmith) %
238) Can't Buy a Thrill (Steely Dan)
239) Let It Be (The Replacements)
246) The Shape of Jazz to Come (Ornette Coleman)
248) Reasonable Doubt (Jay-Z) %
253) Trans-Europe Express (Kraftwerk) #
259) Crosby Stills and Nash (Crosby Stills and Nash)
260) Buena Vista Social Club (Buena Vista Social Club) %
266) Quadrophenia (The Who) #%
274) Mothership Connection (Parliament) %
292) White Light / White Heat (The Velvet Underground) %
293) Greatest Hits (Simon and Garfunkel)
297) Weezer (Blue Album) (Weezer)
300) Fear of a Black Planet (Public Enemy)
305) Odelay (Beck)
309) Nothing's Shocking (Jane's Addiction) +
314) The Velvet Underground (The Velvet Underground) %
320) Pink Moon (Nick Drake)
326) Disintegration (The Cure) #
328) Exile in Guyville (Liz Phair)
336) Superunknown (Soundgarden) +
341) Play (Moby)
346) 3 Feet High and Rising (De La Soul) %
364) American Recordings (Johnny Cash) #
367) Is This It (The Strokes)
385) Pretzel Logic (Steely Dan)
386) Enter the Wu-Tang: 36 Chambers (Wu-Tang Clan)
390) Elephant (The White Stripes)
397) Rain Dogs (Tom Waits)
400) Illmatic (Nas)
403) Radio City (Big Star)
419) Dummy (Portishead) %
435) To Bring You My Love (PJ Harvey) #
438) Number 1 Record (Big Star)
440) Sea Change (Beck)
442) Boys Don't Cry (The Cure)
444) Criminal Minded (Boogie Down Productions) %
455) Synchronicity (The Police) %
459) Strictly Business (EPMD) %
468) Elton John (Elton John)
477) The Score (Fugees) %
478) Radio (LL Cool J) %
497) Yo! Bum Rush the Show (Public Enemy)

